mrstrongarm
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« on: January 17, 2008, 02:06:26 AM » |
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Now that all source details are up and running, i thought i'd go through how they work.
heres a example of a show that was alot of sources:
DATE TYPE (ORIGIN # + SOURCE #) VENUE
95-02-24 SBD 1a Live Aus Dem Sudbahnhof 95-02-24 AUD 2a Live Aus Dem Sudbahnhof 95-02-24 PRO 3a Live Aus Dem Sudbahnhof 95-02-24 PRO 3b Live Aus Dem Sudbahnhof 95-02-24 PRO 3c Live Aus Dem Sudbahnhof 95-02-24 PRO 3d Live Aus Dem Sudbahnhof
the ORIGIN changes every time a new TYPE is found. There are 4 TYPES: SBD => Soundboard recording (audio) AUD => Audience recording (audio) PRO => Pro shot (video, usually from tv) CAM => Audience shot (video)
so, to fully explain the sources above: 95-02-24 SBD 1a -- Soundboard audio recording (from tv broadcast). New recording, so origin # and source # is 1a. 95-02-24 AUD 2a -- Audience audio recording. as its different origin to 1a, it needs a new number of 2a. 95-02-24 PRO 3a -- Pro shot video (from tv broadcast). again, a different origin to the previous ones, so becomes 3a. 95-02-24 PRO 3b -- Pro shot video (from tv broadcast). same origin as 3a, but different source, so becomes 3b. 95-02-24 PRO 3c -- Pro shot video (from tv broadcast). same origin as 3a and 3b, but different source, so becomes 3c. 95-02-24 PRO 3d -- Pro shot video (from tv broadcast). same origin as 3a,3b and 3c, but different source, so becomes 3d.
you'll notice 1a and all the 3 sources are probably from the same ORIGIN, but because the are different TYPES, they are numbered differently.
so how do you tell the different types? SBD - usually very clean recordings. very little audience noise or venue acoustics evident. AUD - listen for audience/venue noise, and venue acoustics. PRO - usually fairly obvious - clean video and audio, cut well, and not shakily shot. CAM - often shot from only one point in the audience. sometimes shakey, and audio not so great...
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